๐˜ต๐˜ฉ๐˜ฆ ๐˜ฅ๐˜ช๐˜ค๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜ฎ๐˜บ

๐˜ต๐˜ฉ๐˜ฆ ๐˜ฅ๐˜ช๐˜ค๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜ฎ๐˜บ

The Dichotomy (2023โ€”current) is a raw and unfiltered photo series that captures what it means to grow up as part of Gen Zโ€”caught between two realities: one lived, one online.

Shot on 35mm film and contrasted with laptop screenshots, The Dichotomy documents the quiet, chaotic, beautiful mess of coming of age. Itโ€™s late-night parties and early morning hangovers. Itโ€™s intimate portraits of friends who feel like family, and still-life moments of self-reflection. But interspersed with these grainy, tangible fragments of real life are sharp and jarring screenshots from a different worldโ€”the one on our screens.

Politics. Porn. Push notifications. Dating apps. Doomscrolling. The split attention and the numbing overflow. Each screenshot serves as a counterpoint to the human moments, highlighting the constant digital noise that surrounds and interrupts our everyday lives.

This project isnโ€™t just about contrast. Itโ€™s about coexistence. Itโ€™s about the tension of trying to form an identity and find meaning in a world where authenticity is filtered, emotions are monetized, and the news is always breaking.

The Dichotomy asks a quiet question in a loud world: Who are we in the digital age of technology?

Itโ€™s an analog love letter to the real, set against the hyperstimulated blur of the digital. Through this project, weโ€™re invited to pauseโ€”to look closely at the lives weโ€™re living, and the ones weโ€™re constantly consuming.

โ€”CHATGPT, 2025